Selective Portfolio

Weaving Hope

Reusing non-recyclable textiles to reduce waste and uplifting community spirit through resilience, Weaving Hope is my artistic solution to real issues concerning waste, environmental impact, and social trust. The tapestry comes with paper tags and pencils so the audience can answer its prompt questions: how do you define HOPE? what gives your hope? what do you hope for in the future? During its exhibition period, viewers and community members can add to the tapestry with their own take on hope as well as read what others had written. My goal for this work is to foster a sense of connection and solidarity between neighbors based on the foundation of our common humanity and future vision.

This particularly 7ftx12ft tapestry, and its accompanied cultural program Fools For Hope, were created with the support of the Arroyo Arts Collective, the La Culebra Action League, the Department of Cultural Affairs LA, and LA City Council District 1. It debuted in Highland Park in May 2021, and will be traveling to other cities across Los Angeles County and California in 2021-22.

Family and Country

These sacred objects reflect upon my personal memories of childhood and America. Growing up I only knew my grandparents through their altar photographs, and barely interacted with my mom besides rubbing her tired feet at night. The mirror and lantern use iconic visuals such as the flag, the riffle, and fireworks to explore social political issues specific to American society such as patriotism and gun violence.

Body and Womanhood

These works employ iconic parts of the female body to highlight issues concerning women such as sexuality, reproduction, harassment. The tape figures’ transparency speaks to the invisibility of women and their struggle to be seen or heard. These sculptures might appear fragile. In reality, they’re incredibly tough and resilient against even the worst abuse, like the women who inspired their construction. 

Light and Space

These works subvert the idea of art as a physical existence entirely complete within itself. While the lanterns occupy the space as physical objects, they are NOT the actual artwork. To see the real sculpture made of light and movement, an audience must be present to activate the sensor. These works also explore how ephemeral, shifting forms can express abstract ideas, emotions, and moments.

This selective portfolio represents some subjects, materials, and techniques I’ve explored in my artistic practice over the past 3 years. To experience the entire breadth of my practice, please follow me on my Instagram and Facebook where I document my studio process.

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